Good Morning Lacquered Lifers. This month, World of Interiors featured the latest project by Will Fisher, the founder of the famed UK-based fireplace and reproduction company, Jamb. Having been a big fan of Jamb’s products for a while, I was thrilled to see Fisher’s latest project. Located in the East End of London, this house was quite derelict when they found it – inhabited by squatters, with a vacant commercial space on the ground floor, it took a lot of vision to see the potential in this property. The partition between the living and dining rooms on the first floor was designed by Fisher and built on site. Although the turn-of-the century building was not under the protection of the Spitalfields Trust, unlike so many of its neighboring buildings, the Trust was extremely helpful in making recommendations – which included that of the joiner that built the glazed partition.
The paneling is not original to the house. Fisher had the paneling added throughout, which contributes just the right amount of character to each space. In this photo, the beauty of the original floors really stand out against the creamy paneling.
In an upstairs bath, the buttery color of this vintage tub is the perfect counterpoint to the gray-green of the paneled walls. Looking closely, I believe those shower fittings are Catchpole & Rye – one of my personal favorites.In one of the bedrooms, the mantel was custom made using Peacock’s Eye marble. So incredibly chic. And looking to the right in this photo, you can catch a glimpse of the built in cabinetry that lines the small hallway to the bathroom – I so appreciate his use of furniture pulls on the drawers.
For more photos and information of this project, check out World Of Interiors January 2016 issue, or visit the Jamb Blog
photos via Jamb Blog
One of my favorite timeless design concepts: the print on print. While I like to mix and match fabrics with the best of them, there is something about a room where the fabric gets repeated – walls, drapery, upholstery – that I just love. I am thinking that the master bedroom at #barbothouse may need to get a serious print on print treatment. And definitely a canopy bed.
Print on print has been en vogue forever. It has never gone out of style, and forms the foundation of some of the most recognizable rooms – like Diana Vreeland’s “garden in hell.”
It can be bold, like in Valentino’s Roman apartment …
… or subtle, as in Jeffrey Bilhuber’s New York apartment.
Stripes are often used – above by Anthony Hail, below by Lee Radizwill …
… as are florals and toiles.
Now I just have to select the fabric …
(Images via: Vogue, legacy.dianavreeland.com, Vogue, Bilhuber.com, Anthony Hail, Elle Decor, Architectural Digest New York Interiors, Elle Decor)
Patience is a virtue. A saying long used by our elders in a vain effort to teach the younger generation that good things come to those who wait. I wonder if these sayings will continue to be used by my generation as we raise our children Wait? Why wait? Wait through the commercials to watch a whole television show? Order it on Apple TV. Wait for the newspaper? Go on Twitter. Slowly furnish a home over time to allow it to have that collected and curated look we all crave? Go online and order it all over the course of a weekend.
I know, I know, it’s hilarious that I say this as a blogger; but as a preservationist we are an inherently patient people. We respect time, and the passage of time, and the time it took for things to age and develop the patina and history that we obsess over and admire. So it has been with film director James Ivory and his c. 1805 home in NY’s Hudson Valley. The 6,000 square foot c. 1805 home has twelve foot ceilings throughout, and was built on an octagonal plan, with two octagonal rooms on each side stacked on top of each other. Ivory purchased the home in the summer of 1975 … for $105,000.
Ivory’s home, complete with stacks and stacks of books and miles of memorabilia and objets, looks as if it has been lived in, and loved, for forty years. And yet, the owner feels it is only 95% done. Patience, a virtue? In this case, I believe so.
Photos via T Magazine